![]() He helps deduce the true circumstances behind the man’s death, and uncovers the woman’s unfulfilled wishes. With his Sherlock-esque photographic memory and intelligence at the ready, Geu-roo tidies up not only these individuals’ physical homes, but also their emotional and social affairs. It feels a lot more like the meditative Japanese series Midnight Diner, and less like Boys Over Flowers.įor example, Move to Heaven’s first two episodes deal with solitary deaths-one of a young man who fell ill at home after a workplace accident, another of an older woman with dementia. With these 10 episodes, Move to Heaven explores an impressive array of societal issues relevant to contemporary South Korea, and does so with a degree of nuance that brings tears without schmaltz. Similar to other Netflix-exclusive K-series like Extracurricular, the show only has 10 episodes instead of K-dramas’ usual 16-20 (which often leads to slow pacing and drawn-out melodramatic lovefests). Fortunately, Move to Heaven doesn’t suffer from any of those ills. ![]() Korean dramas can have a reputation for formulaic plots and excessive focus on stars and romance. Examining Social Issues through Trauma Cleaning Courtesy of Netflix. The series follows this odd family pair-who are also joined by Geu-roo’s female childhood friend Yoon Na-mu (Hong Seung-hee)–as they learn more about both humanity and themselves through a succession of trauma cleaning jobs. There’s a catch though: Sang-goo must demonstrate that he can live amicably with Geu-roo for three months, and also work for Move to Heaven during this period. While at first reluctant to care for Geu-roo, Sang-goo decides to stick around after realizing he can gain control of Jeong-u’s considerable assets. Jeong-u’s will leaves Geu-roo in the guardianship of an uncle named Jo Sang-goo (Lee Je-hoon)-who’s an ex-con with a murky past. Geu-roo’s world turns upside down when Jeong-u suddenly dies of cardiac arrest. At his father’s behest, he’s also learned to deduce narratives of the deceased’s lives based on what they leave behind-a skill that comes in handy as the show progresses. These traits make Geu-roo an excellent assistant at his father’s business: a trauma cleaning company called “Move to Heaven.” As the Hans are called to scenes of lonely deaths or crimes, Geu-roo is able to maintain a sense of equanimity amidst the lingering trauma. Geu-roo has Asperger’s Syndrome-he possesses a photographic memory and high intelligence, alongside an obsessive penchant for routine and difficulty grappling with emotions. A Final Move Courtesy of Netflix.Ģ0 year-old Han Geu-roo (Tang Jun-sang) is “special.” But as his father Han Jeong-u (Ji Jin-hee) reminds him, special is good, not bad. Eschewing the romantic tropes and sappy tone of most mainstream K-dramas, Move to Heaven demonstrates a degree of social consciousness that bodes well as Netflix bolsters investments in Korean content. The series features an Aspergic 20 year-old who works as a trauma cleaner-someone who tidies up the residences of those who die alone, or under tragic circumstances. Released on May 14, 2021, Netflix Korean drama Move to Heaven tackles these questions with poignance and grace. What happens after someone dies alone though, with nobody around to notice? Who cleans up the deceased’s affairs, and who remembers their life? There’s even a dedicated term for it: godoksa. ![]() Consequently, dying alone has become more common as well. Each room the company cleans may also be seen as yet another box in and of itself-this place where we sleep, eat, and live out our days is just another confinement summarising our being, scaled up to four walls and a door.Īll in all, the show brings to the fore this truism: in death, we realise just how important it is to live.In South Korea, living alone-whether by choice or not-is on the rise. As Geu-ru and Sang-gu deliver leftover belongings, they become privy to the departed's struggles and how they've dealt with being boxed-in by life, so to speak asking viewers to rethink our perceptions of who we are versus who we ought to be. The yellow containers that sum up one's life is a poetic image of how fragile existence can be. ![]() The show also presents a layered problematisation of the idea of boxes. From the literal procedure of ‘trauma cleaning’, to each family’s ordeal as they go through the deceased's personal effects, to even Geu-ru and Sang-gu’s deep-seated pains from their childhoods, or the constant push-and-pull between finding oneself in an otherwise unkind world-the series is able to survey these themes with ease and delicate restraint. It explores, with incredible nuance, the concept of trauma. Move to Heaven offers an intricate balance between the agony of those who have moved on and those who have been left behind. ![]()
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